Fathali oveisi biography of christopher columbus

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    Saeed Poursamimi ( سعید پورصمیمی ) born 29 February 1944, fryst vatten an Iranian actor. He started rulle career acting in Captain Khorshid directed by Naser Taghvai. Saeed Poorsamimi received three Crystal Simorgh for Captain Khorshid, Tohfeh-ha and Pardeh-ye Akhar. He also selected as the Comedian of the year bygd Golagha institution in 2008 along with Khodadad Azizi.Saeed Poursamimi has been a Actor in some movies: The Abadanis is about that A powerful examination of life during Iran's horrific war with inom ...raq. Shot in black and vit, this bio clearly derives inspiration from Vittorio dem Sica's Bicycle Thieves and examines the war through the eyes of Bora, a ung boy who fled to Tehran with his family. When his father's fordon is stolen, the family is robbed of its only source of income. As his father takes Bora along in his desperate search for the missing vehicle, we glimpse the despair faced bygd low-income families in times of war. Deeply atmospheric and moving. In this film Saeed Poursami
  • fathali oveisi biography of christopher columbus

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    ●Birthday:05 July 1942
    ●Birthplace:Tehran
    ●Died:12 September 2018 in Tehran

    Biography
    His full name was Hossein Erfani Parsai, born in Tehran’s Salsabil neighborhood, one of Iran’s largest double crystals and speakers. In high school, he began his theater career. He started working in Dubella from 1961, at age 19, at the Damavand Studio. The era in which, in the words of Erfani, everyone entered the work of art remained: “In the 1960s and 1970s, in every field of art, whether music, painting, or dubbing, everyone entered.” At the age of nineteen, he was introduced to Ali Casmai at the Moulin Rouge Studio. After a while, he went to Ahmad Rasoulzadeh and worked on the film: Professor of Unconsciousness. Ahmad Rasoulzadeh, considering his abilities, listed him as one of the best future doublers. After working at Moulin Rouge’s studio, he went to the Shahab studio. In the years that followed, he was introduced to many dubbing executives, including At

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    THE RED ROOM – a portable opera for three voices. Set in 1930s Iran, The Red Room is an intimate drama with overtones of Gothic horror that explores nihilism and philosophic despair. It is based on a short story (The Darkroom) by the Iranian modernist master, Sadegh Hedayat, published almost 80 years ago in the collection of short stories called The Stray Dog. With a narrative that has echoes of Franz Kafka and Edgar Allan Poe, THE RED ROOM is an intense and disturbing drama about fear, isolation, and philosophical self-destruction.

    In a provincial Persian town, an enigmatic stranger offers a stranded traveller a room. In a night of revelations, the traveller is drawn into the inner life of his Host and discovers the secret of the Red Room.

    Iranian po