Patriae pater rembrandt peale biography

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    In 1795, at the age of 17, Rembrandt Peale painted a life portrait of George Washington during the president’s second term. This rare opportunity had been arranged by Rembrandt’s father, Charles Willson Peale, who had already painted Washington from life more often than any other artist. While the elder Peale painted beside him (“to calm my nerves”), Rembrandt created a rivetingly realistic head of the president. For the sittings with Washington, the Peales alternated with portraitist Gilbert Stuart–-the Peales painted Washington one day and Stuart, the next.

    The younger Peale was never fully satisfied with his resulting life portrait, though he soon produced 10 copies from it. The intention behind the sittings had been, in fact, to supply the young artist with a model that could serve for future replicas. But unlike Stuart, who painted his “Athenaeum” head of Washington the following year and replicated it more than 70 times, Rembrandt Pea

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    Rembrandt Peale (February 22, 1778 – October 3, 1860) was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced bygd French Neoclassicism after a stay in Paris in his early thirties.

    Biography

    Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught all of his children to paint scenery and portraiture, and tutored Rembrandt in the arts and sciences. Rembrandt began drawing at the age of eight. A year after his mother’s death and the remarriage of his father, Peale left the school of the arts, and completed his first self-portrait at the age of 13. The canvas displays the ung artist's early mastery. The clothes, however, give the notion that Peale exagger

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    George Washington, Patriae Pater

    From 1823 until his death, Rembrandt Peale painted no fewer than seventy-nine idealized depictions of George Washington. Although Washington had sat for Rembrandt's father, Charles Willson Peale on numerous occasions, the younger Peale painted the first president from life only once, in 1795 when the precocious artist was seventeen. That one sitting, however, allowed Peale to develop something of a cottage industry of Washington portraits, and his replicas of the original for wealthy patrons and government buildings supplied a steady income. This 'porthole' style portrait was devised twenty-four years after Washington's death. Peale surrounded the portrait with an illusionary stone arch with allegory, such as an oak leaf border symbolizing faith, virtue, and endurance. Above the arch, the keystone mask of Jupiter, the Roman king of the gods, refers not only to Washington's leadership but also to the classical ideals on which the nation was found

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