Henri matisse biography obras fauvismo

  • Who created fauvism
  • Fauvism art
  • André derain fauvism

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    The Green Stripe

    Painting by Henri Matisse

    The Green Stripe (also known as The Green Line or Madame Matisse) is an oil painting from 1905 by French artist Henri Matisse of his wife, Amélie Noellie Matisse-Parayre. The title stems from the vertical green stripe down the middle of Madame Matisse's face, an artistic decision consistent with the techniques and values of Fauvism. The painting features a bust-length view of Madame Matisse in blocks of bold and vibrant colors. It is associated with the Fauvist Movement due to this unnatural and experimental use of color.[1] The portrait has received both praise and criticism due to this technique as well as the artistic representation of the model.[2]The Green Stripe is currently displayed in the Staten Museum for Kunst in Copenhagen, Denmark.[3]  

    Fauvist context

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    Matisse spent the summer of 1905 painting and drawing in the Mediterranean fishing town of Collioure, France wit

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    Fauvism was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. The Fauve painters were the first to break with Impressionism as well as with older, traditional methods of observation. Their spontaneous, often subjective response to nature was expressed in bold, undisguised brushstrokes and high-keyed, vibrant colors directly from the tube.

    Henri Matisse (1869–1954) and André Derain (1880–1954) introduced unnaturalistic color and levande brushstrokes into their paintings in the summer of 1905, working together in the small fishing port of Collioure on the Mediterranean coast (; ). When their pictures were exhibited later that year at the Salon d’Automne in Paris (Matisse, The Woman with a Hat, San Francisco Museum of Modern Art), they inspired the witty critic Louis Vauxcelles to call them fauves (“wild beasts”) in his review for the magazine Gil Blas. This term was later applied to the artists themselves.

    The Fauves wer

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    Summary of Fauvism

    Fauvism, the first 20th-century movement in modern art, was initially inspired by the examples of Vincent van Gogh, Paul Gauguin, Georges Seurat, and Paul Cézanne. The Fauves ("wild beasts") were a loosely allied group of French painters with shared interests. Several of them, including Henri Matisse, Albert Marquet, and Georges Rouault, had been pupils of the Symbolist artist Gustave Moreau and admired the older artist's emphasis on personal expression. Matisse emerged as the leader of the group, whose members shared the use of intense color as a vehicle for describing light and space, and who redefined pure color and form as means of communicating the artist's emotional state. In these regards, Fauvism proved to be an important precursor to Cubism and Expressionism as well as a touchstone for future modes of abstraction.

    Key Ideas & Accomplishments

    • One of Fauvism's major contributions to modern art was its radical goal of separating color from its descri
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