Geoff kleem biography books
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Rayner Hoff : The Life of a Sculptor [1 ed.] 9781742248080, 9781742235325
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Deborah Beck
RAynEr HOFF The life of a sculptor
DEBORAH BECK is a historian, writer and artist who has exhibited her work widely. She is currently lecturer, archivist and collections manager at the National Art School. She is the author of Hope in Hell: A history of Darlinghurst Gaol and the National A rt School and Set in Stone: The Cell Block Theatre, which won a NSW Premier’s History Award in 2012.
RAynEr HOFF The life of a sculptor
A NewSouth book Published by NewSouth Publishing University of New South Wales Press Ltd University of New South Wales Sydney NSW 2052 AUSTRALIA newsouthpublishing.com © Deborah Beck 2017 First published 2017 10 9 8 7 6 5 4 3 2 1 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part of this book may be reproduced by any process without
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Re-makeable Art and the digitally constructed image: Case study of Geoff Kleem's wallpaper installation
Related papers
Oliver Grau
Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities, 2019
With contributions by: Frieder Nake, George Legrady, José R. Alcalá Mellado /Beatriz Escribano Belmar, Anne-Marie Duguet, Howard Besser, Giselle Beiguelman, Wendy Coones, Sarah Kenderdine, Marianne Ping-Huang, Raphael Lozano Hemmer, Annet Dekker, Janina Hoth, Laura Leuzzi, Diego Mellado, Oliver Grau, Goki Miyakita/Keiko Okawa, Sabine Himmelsbach, Francesca Franco, Patricia Falcão. Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemer
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Archibald Prize 2019
May has been the month of miracles. This was the way our highly devout Prime Minister described his election victory, which arrived on the back of three years of dysfunctional government and a campaign devoid of policies. It was also the way Tony Costa responded to his victory in this year’s Archibald Prize, for a portrait of artist, Lindy Lee. “Miraculous” he said.
The word, in both instances, seems well-chosen. I won’t wade into the shallows of politics, but Costa’s win seems one of least predictable in decades. Because inom was overseas during the announcement inom didn’t have to take my usual punt, but I wouldn’t have seen this one coming.
I’m pleased for Tony Costa, an underrated artist who fryst vatten overdue for some attention, but many would probably agree that he fryst vatten more of a landscapist than a portraitist. As a picture of a person meditating it’s understandable Lee should have her eyes closed, but this is a major drawback in any portrait. To say the eyes are the w